Artist field note

Brett Whiteley

A line can turn a room, a body and a harbour into the same living shape.

Appears inOceania
Alchemy by Brett Whiteley
Art Institute of Chicago · Rights may be restricted · Rights reviewSource ↗

02 / 05

Alchemy

1972-73

Eighteen panels refuse a single settled view. Figures, symbols and changes of scale make the work feel like a mind testing how much painting can contain.

The five in one idea

Whiteley made the places he inhabited feel inseparable from the movement of his hand: the harbour, the room and the body share a restless line. Sources: Art Gallery of NSW, Woman in bath (1963), collection art trail; Brett Whiteley Alchemy exhibition (2002); 9 Shades of Whiteley (2006); Self and Identity education resource. Heritage NSW, Brett Whiteley Blue Plaque, for The jacaranda tree (1977). See source links at the end of the UK chapter.