Artist field note

Nguyễn Gia Trí

Lacquer becomes a modern field of depth, light and national imagination.

Appears inVietnam

01 / 05

Young Women in the Garden

c. 1940

Figures and foliage emerge through a radiant, laboriously layered lacquer surface.

The five in one idea

Nguyễn Gia Trí elevated lacquer from craft convention into one of Vietnamese modernism's most ambitious forms.