Artist field note

Nguyễn Gia Trí

Lacquer becomes a modern field of depth, light and national imagination.

Appears inVietnam

04 / 05

Spring Garden

c. 1939

Seasonal abundance becomes an orchestration of pattern, figure and polished depth.

The five in one idea

Nguyễn Gia Trí elevated lacquer from craft convention into one of Vietnamese modernism's most ambitious forms.